罗卡福特站
哈维尔·古铁雷斯,纳塔利娅·阿扎哈拉,瓦莱丽娅·索罗拉
哈维尔·古铁雷斯,纳塔利娅·阿扎哈拉,瓦莱丽娅·索罗拉
Keira Jang,吴珊卓,里斯·普雷斯利,Elmira Bashash,乔尔·欧莱特,Zaa Nkweta,Shaz Far,Casey Kenneth Wright,森田友希,本杰明·拉特纳,派崔克·盖勒,Naika Toussaint,安德烈·安东尼,多米尼克·卢基·马泰尔,奥斯卡·查克,裘德·威尔逊,Cassandra Sawtell,特德拉·罗杰斯,Ally Battaggia,Kymo Van Oers
热拉尔·德帕迪约,克洛维斯·科尔尼亚克,伯努瓦·波尔沃德,阿兰·德龙,瓦妮莎·海斯勒
Michael Johnston,汉娜·马克斯,米西·派勒
狄龙,傅声,谷峰,施思,李丽丽
王好为
吕克贝松
姜帝圭
杨延晋
大卫·芬奇
李前宽
彭发
洪金宝
晴朗的一天,三年前痛失男友的珍娜(丝柯·泰勒-考普顿 Scout Taylor-Compton 饰)与好友瑞妮(克里斯蒂娜·尤罗尔 Christina Ulloa 饰)、迈克(迈克尔·科彭 Michael Copon 饰)以及新结识的帅气青年伊安(特拉维斯·范·文克 Travis Van Winkle 饰)前往某个乡村,参加当地举行的五月节。湖畔小屋,笑语欢歌,青年男女们纵情欢乐,只有珍娜强颜欢笑,似乎久久无法从三年前的惨剧中走出。随着夜幕降临,四人走入桑拿室,体会无上的蒸汽享受,而危机也正一步步向他们迫近。在此期间,迈克和瑞妮突然爆发争吵,前者夺门而出,大发雷霆,而瑞妮和珍娜、伊安稍后却发现,他们三人却被意外锁在桑拿室中。 温度逐渐升高,而死神的脚步越来越近……
故事背景设定在星际殖民的未来时代,神秘的漂泊者赛(凯南鲁兹饰)遇见了为地球外军事承包商艾克索工作的中尉肯恩(丹尼尔麦佛森饰),这对背景南辕北辙的搭档,必须在艾索克掀起的星球危机中,同心协力救出肯恩的小女儿,而为了理念背叛神通广大的艾索克的两人,除了必须面对天罗地网般的追捕,还得战胜游荡在荒芜星球上的野蛮生物。
保护地球、维护和平,奥特曼对于地球人来说曾经是神一样的存在,但是近几十年,他却消失不见行踪成谜……随之取替他的是钢铁飞龙精锐小分队——隶属于GSB地球安全保卫组织。而GSB近期不断收到地球能源异常报告,全球各地纷纷出现巨大灾难。GSB组织派出钢铁飞龙,查明能源异常原因,却意外发现事件与奥特曼有关系……新旧两代地球守护者的意外相见,却成为你死我活的敌对双方。到底,这是一场意外还是一场阴谋,是谁看到了最后的事实真相?
迈尔斯(保罗•吉亚玛提 Paul Giamatti 饰)和杰克(托马斯•哈登•丘奇 Thomas Haden Church 饰)是老朋友了,看着杰克即将踏入婚姻殿堂,迈尔斯更加感叹起自己失败的生活:婚姻失败、作家梦遥不可及、干着无聊枯燥的职业、不再年轻的岁数。迈尔斯对葡萄酒的研究颇为深厚,于是两个人决定前往加州的葡萄酒生产基地狂欢一次,如果遇上一夜情当然是最好不过了。 果然二人在酒香浓郁的加州遇上了女招待和她的亚裔朋友,迈尔斯和杰克的艳遇让两人都兴奋不已。然而接下来的事情却大扫兴致。他们的狂欢计划充满了障碍。
古有织女下凡洗澡偶遇牛郎,今有美女灶神人间裸泡温泉却无人问津。灶神郭婉蝶为寻人间真爱,下凡巡逻时碰上人间的厨神比赛,与前来参赛、爱好直播的美男子姜聪不打不相识,这段人仙殊途的爱情又该以怎样的方式收场?
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
斯蒂凡尼·埃斯特斯,扎克·沃德,汤姆·格林,莎侬·多赫提,里昂·拉瑟姆,苏菲·迪伊,费莉莎·罗斯,Kevin Porter,基思·雅各,John Murray,James Cullen Bressack,托马斯·唐尼
里卡多·达林,路易斯·布兰多尼,奇诺·达林,维罗妮卡·利纳斯,丽塔·科尔泰塞,安德烈斯·帕拉,Daniel Aráoz,Carlos Belloso,Marco Antonio Caponi,Federico Berón,Luciano Cazaux,Alejandro Gigena,Guillermo Jacubowicz,José María Marcos,Ailín Zaninovich
雷·利奥塔,Linda Fiorentino,彼德·考约特
德芙·卡梅隆,RJ·米特,Austyn Knight,罗伯特·拉萨多,Gigi Gustin,Jay Giannone
彼得·德索萨 Peter DeSouza-Feighoney,马丁·波特洛克,Megan Placito,尼古拉斯·伍德,凯利斯顿·韦勒英,Chrissie Wunna,珍妮·米勒,凯莉·里安·桑松,Amanda Jane Cooper,亚当·斯皮尔斯,Charlotte Jackson,Kat Green
皮埃尔·若利韦,让·布伊兹,让·雷诺
阿诺·施瓦辛格,杰米·李·柯蒂斯,汤姆·阿诺德,比尔·帕克斯顿,蒂亚·卡雷尔,阿特·马里克,艾丽莎·杜什库,格兰特·赫斯洛夫,查尔顿·赫斯顿,马绍尔·曼尼什,詹姆斯·艾伦,迪特尔·劳特尔,简·莫里斯,卡齐·查普尔,克丽丝蒂娜·怀勒,奥弗·萨姆拉